Sheet of Figure Studies from Raphael’s Disputation (with separate sheet bearing inscription) Joshua Reynolds (1723-1792)

The drawing presents a series of figure studies, executed in graphite with annotations regarding color and fabric. Four distinct poses occupy the space, each demonstrating a different aspect of human form and gesture. The arrangement suggests a preparatory stage for a larger composition, likely involving multiple figures interacting within a narrative scene.
In the upper left corner, we see a standing male figure, rendered with a confident line that emphasizes his posture and drapery. He holds an object aloft in his right hand, perhaps indicating a gesture of presentation or explanation. The artist has noted outer garments light yellow lined alongside this figure, providing crucial information for subsequent realization of the work. The pose is one of authority and engagement, suggesting a central role within the intended composition.
Adjacent to him, an upper right study depicts a male figure in a more dynamic, twisting posture. This figure appears to be either descending or reacting to something unseen, his body angled sharply away from the viewer. The annotation under robe thin white indicates the color of the garment beneath the outer layer, adding depth and complexity to the visual representation.
The lower right study portrays a seated male figure, hunched forward with an expression that suggests contemplation or perhaps sorrow. His hands are clasped in front of him, further reinforcing this impression of inward focus. The annotation outer yellow lined white provides detail about his clothing.
Finally, the bottom left corner features another standing figure, depicted from a lower angle. He appears to be gesturing with both hands, as if engaged in an animated discussion or debate. The inscription “vest coat light blue sleeves off white robe Draperie white” details the color scheme for this individual’s attire.
The annotations accompanying each study are integral to understanding the artists process. They reveal a meticulous attention to detail regarding costume and color, suggesting that these elements were carefully considered in relation to the overall narrative and symbolic meaning of the larger work. The varying degrees of finish within each sketch – some figures more fully rendered than others – indicate different stages of exploration and refinement during the design phase.
The drawing’s value lies not only in its depiction of individual figures, but also in its insight into the creative process behind a complex composition. It offers a glimpse into the artists method of developing character, gesture, and visual harmony through careful observation and iterative sketching.