Joshua Reynolds – Louis Philippe Joseph dOrleans, duc de Chartres
oil on canvas
Location: Museums of Paris (Musées de la Ville de Paris), Paris.
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His attire is striking and unconventional for a formal portrait. A richly embroidered waistcoat, paired with dark breeches and vibrant red boots, suggests an interest in display and a departure from traditional aristocratic dress codes. A cloak or mantle, lined with fur and featuring elaborate decorative elements, drapes across his shoulders, adding to the overall impression of theatricality. The sash around his neck, possibly indicating military rank or membership in an order, is rendered with delicate detail. He holds a riding crop casually in one hand, further reinforcing the equestrian theme suggested by the presence of a horse’s head visible at the lower left corner of the painting.
The horses head, depicted in muted tones and partially obscured, introduces a layer of symbolic complexity. It might represent nobility, power, or even a connection to military pursuits – all common associations with horses in aristocratic iconography. The inclusion of a figure wearing a red cap near the horse’s head is intriguing; their face is largely hidden, but their presence suggests an attendant or perhaps a subordinate, hinting at the subjects position within a hierarchical structure.
The painting’s execution exhibits a certain looseness and informality in its brushwork, particularly noticeable in the background and the rendering of the cloak. This stylistic choice contributes to a sense of immediacy and spontaneity, moving away from the polished perfection often seen in more formal portraiture. The overall effect is one of deliberate eccentricity – a carefully constructed persona that blends elements of military bearing, aristocratic privilege, and theatrical flair. It suggests an individual who consciously cultivates an image of unconventionality and power.