Ho! Ho! Old Noll! John Pettie (1839-1893)

The composition presents a scene seemingly extracted from a theatrical performance or a moment of informal observation within a festive setting. Here we see two figures confronting a third, all positioned against a stark, neutral wall that serves as a backdrop. The figure on the left is notably imposing; he wears dark clothing accented by a vibrant red cloak draped over his shoulders and a distinctive hat obscuring much of his face. His posture suggests authority or perhaps playful dominance, with one hand resting on what appears to be a walking stick. A small animal, likely a cat, clings to his cloak, adding an element of unexpected domesticity to the otherwise formal presentation.
The individual facing him is dressed in the attire of a jester or harlequin – white and grey garments, a ruffled collar, and a pointed hat resting on the ground beside him. His stance is more relaxed, almost defiant, with one hand raised as if in explanation or protest. The expression on his face, though partially obscured by shadow, conveys a sense of amusement mixed with perhaps a touch of apprehension.
Scattered across the floor are several small objects – what appear to be balls or projectiles – suggesting an earlier activity that has been interrupted. A single yellow flower lies near the jester’s feet, introducing a note of fragility and transience into the scene. The lighting is uneven, creating areas of deep shadow which contribute to the overall sense of mystery and ambiguity.
The subtexts within this painting are layered. The interaction between the two men hints at a power dynamic – the imposing figure seemingly holding sway over the jester. However, the jester’s posture and expression suggest resistance or an attempt at humorously defusing the situation. The presence of the cat could symbolize cunning or independence, mirroring qualities potentially present in either of the human figures. The scattered objects imply a disruption of order, perhaps reflecting a broader commentary on societal hierarchies or the fleeting nature of entertainment and pleasure. Ultimately, the painting invites contemplation about the complexities of social interaction, power, and the role of humor as both a shield and a weapon.