Conegliano, Giambattista Cima da (Italian, approx. 1459-1517) The Italian artists

The composition presents a female figure in profile, positioned centrally against a detailed landscape backdrop. She is adorned with a crown and holds a large wooden cross, leaning on it for support. Her attire consists of a vibrant red cloak draped over a blue underdress, the fabric rendered with careful attention to folds and texture. The artist has depicted her feet bare, drawing focus to their vulnerability and perhaps suggesting humility or sacrifice.
The landscape behind her is meticulously constructed, featuring rolling hills dotted with buildings that suggest an urban settlement in the distance. A small tree stands close to the figure, its foliage rendered with a delicate touch, providing a visual counterpoint to the verticality of the cross. The color palette leans towards warm earth tones contrasted by the striking red of the cloak and the cool blue of the underdress. Light falls predominantly from the left, illuminating her face and highlighting the texture of her garments.
Beyond the immediate depiction, several subtexts emerge. The presence of the cross immediately evokes themes of suffering, faith, and redemption. Her crowned head might signify royalty or a divine connection, while the bare feet could symbolize a stripping away of worldly status. The landscape, rendered with such detail, suggests a sense of earthly existence and perhaps alludes to the world from which she is set apart by her actions.
The figure’s posture – leaning on the cross – implies both physical burden and emotional weight. Its not an image of triumphant strength but one of quiet endurance. The juxtaposition of the individual with the expansive landscape creates a sense of scale, emphasizing the personal significance of her act within a larger context. Overall, the painting conveys a complex narrative about devotion, sacrifice, and the intersection of the human and divine realms.