The Italian artists – Memmi, Lippo (Italian, active 1317-1347)
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Это не отдельная картина, а часть диптиха (вторая половинка – Мадонна с младенцем, хранится в музее Метрополитен, Нью-Йорк). Это Распятие хранится в Лувре, не имеет подписи и даты, и приписывается Липпо Мемми по стилистическим особенностям.
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The composition presents a central figure suspended from a cross, dominating the vertical format. A golden halo surrounds this figure, emphasizing its divine status and drawing immediate attention. The body is depicted with elongated proportions characteristic of the periods artistic conventions, conveying a sense of suffering through the visible wounds and contorted posture.
Below the cross lies an object, seemingly a skull, positioned at the base of the vertical axis. This detail serves as a potent memento mori, reminding viewers of mortality and the consequences of sin.
Flanking the central figure are numerous individuals arranged in groups on either side. They appear to be observing the scene with varying expressions – some seem sorrowful, others contemplative, and still others display a degree of detachment. Each individual is encircled by a golden halo, suggesting their sanctity or connection to the divine realm. The figures’ faces exhibit stylized features and limited emotional range, typical for the artistic style of the time.
Above the cross, within a triangular space delineated by gold, appears an emblem featuring a bird perched atop a vessel bearing an inscription. This element likely carries symbolic weight, possibly referencing a biblical narrative or representing divine providence.
The color palette is predominantly warm – golds, yellows, and reds – contributing to a sense of solemnity and spiritual intensity. The limited use of shadow creates a flattened perspective, reinforcing the painting’s focus on conveying religious meaning rather than achieving realistic representation.
The arrangement of figures and objects suggests a hierarchical structure, with the crucified figure at its apex, symbolizing sacrifice and redemption. The inclusion of onlookers underscores the communal aspect of faith and invites viewers to reflect upon their own relationship with the divine. The overall effect is one of profound piety and contemplation, characteristic of devotional art intended for private or public veneration.