The Italian artists – Maratta, Carlo (Italian, 1625-1713) maratta4
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below, on what appears to be a stone terrace, three figures are arranged in a triangular configuration. One man stands, gesturing upwards towards the figure above with an open hand. His red cloak provides a striking visual contrast against the muted tones of the other characters and the surrounding architecture. He seems to be presenting something – perhaps a ring or another small object – towards the elevated figure.
To his right sits a seated man in white robes, holding what appears to be a large book open on his lap. His expression is one of solemnity and perhaps reverence. A younger man kneels at his feet, head bowed in apparent supplication or worship. He wears dark clothing and clutches an object – possibly a staff or crosier – in his hands.
The floor is littered with books and what looks like a ceremonial rod, reinforcing the setting as one of religious significance. The lighting is dramatic; it highlights the central figures while leaving portions of the scene in shadow, contributing to a sense of mystery and spiritual depth. The artist’s use of light and color directs the viewers eye upwards, emphasizing the hierarchical relationship between the earthly and divine realms.
Subtly, the composition suggests themes of succession, authority, and faith. The act of presentation – the handing over of an object – implies a transfer of power or responsibility. The kneeling figure’s posture underscores humility and devotion before a higher power. The overall effect is one of solemnity and reverence, characteristic of religious iconography intended to inspire contemplation and piety.