Persia, Charles, Fontaine Pierre – View of New stairs in the Museum of Napoleon I Hermitage ~ part 09

The drawing presents a grand interior space dominated by a monumental staircase. The perspective is carefully constructed, leading the eye upwards and into the depths of the building. Here we see a series of arches framing views further within the structure, creating layers of spatial recession that emphasize the scale of the environment. Light streams in from unseen sources, illuminating the steps and highlighting the intricate detailing of the architecture.
The staircase itself is wide and shallow, suggesting an ease of movement intended for dignitaries or large groups. A small group of figures occupies the lower portion of the stairs; a man in military attire appears to be escorting a woman dressed in elegant clothing. Their presence introduces a human element into the otherwise imposing architectural scene, hinting at a formal occasion or ceremonial procession.
Along the walls, several statues are positioned within niches, adding to the sense of classical grandeur and reinforcing the building’s association with historical significance. The figures depicted on the left side of the drawing appear to be engaged in conversation, further populating the space and suggesting ongoing activity.
The overall effect is one of controlled formality and deliberate display. The meticulous rendering of architectural details – the coffered ceiling, the balustrades, the decorative moldings – suggests a desire to showcase not only the building itself but also the power and prestige it represents. The drawing conveys an atmosphere of reverence and solemnity, implying that this space is intended for significant events or displays of national importance. The use of light and shadow contributes to a dramatic effect, emphasizing the verticality of the staircase and reinforcing its symbolic role as a pathway to something elevated – whether literally or figuratively.