Lancret, Nicolas – Concert in the Park Hermitage ~ part 07
Hermitage ~ part 07 – Lancret, Nicolas - Concert in the Park
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This work of art was created by a famous French painter named Nicola Lancret. As can be logically understood from the action taking place in the painting itself, it has the title "Concert in the Park." As for the size of the canvas, it reaches more than 75 centimeters in width and almost 110 centimeters in height. Art historians attribute the painting to the Rococo period, but you can also see in it some notes of neoclassicism. At first glance it seems that the name was invented absolutely confusingly and incongruously, but turning to the dictionary, we see that in those days, the concert was considered absolutely any public performance of theatrical, vocal or instrumental nature.
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Description of the painting "Concert in the Park" by Nicola Lancre
This work of art was created by a famous French painter named Nicola Lancret. As can be logically understood from the action taking place in the painting itself, it has the title "Concert in the Park." As for the size of the canvas, it reaches more than 75 centimeters in width and almost 110 centimeters in height. Art historians attribute the painting to the Rococo period, but you can also see in it some notes of neoclassicism.
At first glance it seems that the name was invented absolutely confusingly and incongruously, but turning to the dictionary, we see that in those days, the concert was considered absolutely any public performance of theatrical, vocal or instrumental nature. It makes absolutely no difference exactly how many performers were envisioned in a concert.
In this picture we just see one performer. He is dressed quite smartly: he is wearing a red and black cape, black breeches and socks. The shoes and the lower part of the clothes are decorated with large bouffant bows to the tone of the cape. On his head there is a traditional French beret. Even now it is known to be worn by creative people, most often artists or poets.
Our artist entertains an aristocratic audience. This can be judged by the appearance of the guys and girls, who have settled down to rest under an old razlogi tree. The girls are dressed in fancy dresses. The boys, on the other hand, have outfits similar to those named when describing the speaker. These are young people who entertained themselves with intellectual conversations and similar kinds of amusement.
In creating this painting, the artist used soft and unsaturated tones. Judging by the grayish hue of the sky and the nature surrounding the young people, we can conclude that it is already evening outside. Perhaps they had spent the day like that, or maybe they were taking turns entertaining each other with singing and music.
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A musician positioned behind them plays a flute, his posture relaxed and focused on the melody. Further to the right, a young man reclines against the ledge, seemingly captivated by the music, while another figure stands upright, holding a conductor’s baton and directing the performance with a flourish. His attire – a vibrant red jacket over a dark shirt – immediately draws the eye and establishes him as a central, perhaps guiding, presence within this tableau.
The landscape itself is rendered in loose brushstrokes, creating an impressionistic quality to the foliage and distant hills. The trees are densely packed, forming a natural frame around the scene, while a hazy sky suggests depth and distance. A glimpse of other figures can be seen further back in the park, hinting at a larger gathering beyond the immediate group.
The painting conveys a sense of carefree enjoyment and aristocratic leisure. It is not merely a depiction of music-making; it’s an evocation of a specific social milieu – one characterized by refinement, elegance, and a cultivated appreciation for the arts. The relaxed postures and expressions of the figures suggest a comfortable familiarity with one another, reinforcing the impression of a privileged circle enjoying a moment of shared pleasure.
Subtly, theres a suggestion of theatricality at play. The conductor’s dramatic gesture, the singer’s expressive pose, and the overall arrangement of the group imply a performance intended for an audience – even if that audience is simply themselves. This lends a layer of artifice to the scene, hinting at a carefully constructed display of social grace and artistic appreciation.