Hermitage ~ part 07 – Léger, Fernand - Postcard
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Без комментариев!
You cannot comment Why?
Below her, a smaller figure, presumably a child, nestles close, also characterized by stylized facial features. The two figures are intertwined with organic forms – notably a vibrant yellow flower and a large, verdant leaf that curves around them like a protective embrace. These botanical elements introduce a note of naturalism into the otherwise geometric and abstracted scene.
A rectangular shape, adorned with a pattern reminiscent of textile or packaging, is positioned centrally, partially obscuring the female figure. This element introduces an industrial or manufactured quality, contrasting with the organic forms. The color palette is restrained, primarily utilizing greens, yellows, blues, and blacks, contributing to a sense of coolness and detachment.
The artist’s use of flattened planes and sharp angles creates a sense of spatial ambiguity; depth is minimized, and perspective is distorted. This approach contributes to the overall feeling of fragmentation and deconstruction. The figures seem less like individuals with distinct personalities and more like components within a larger, constructed system.
Subtly, there’s an interplay between human presence and mechanical or industrial elements. The juxtaposition of the organic forms (flower, leaf) with the geometric shapes (rectangle, fragmented planes) suggests a commentary on the relationship between nature and industry, or perhaps a broader exploration of how modern life integrates natural and manufactured components. The figures passive expressions and detached gazes might imply a sense of alienation or resignation within this constructed environment.