Klerisso, Charles-Louis – Triumphal Arch in Pola Hermitage ~ part 06

The watercolor drawing presents a monumental architectural structure, clearly intended as a commemorative archway. Here we observe a complex arrangement of columns and arches, rendered in a muted palette dominated by shades of grey, beige, and ochre. The artist has employed loose brushstrokes and washes to convey the texture of weathered stone, emphasizing the passage of time and the effects of erosion on the edifice.
The composition is structured around a central archway, which frames a glimpse of distant landscape – a suggestion of rolling hills or mountains visible through the opening. This framing device draws the viewers eye beyond the immediate structure, hinting at a broader context and perhaps suggesting the arch’s original purpose as a gateway to something significant. The columns flanking the arch are precisely rendered, exhibiting classical orders with detailed capitals and bases. However, their condition is visibly deteriorated; sections of the stone appear missing or crumbling, contributing to an overall sense of decay.
The vegetation at the base of the structure – a scattering of scrubby plants and a few small trees – further reinforces this impression of abandonment and the relentless encroachment of nature upon human creation. The artist’s choice to depict the arch in such a state implies a meditation on impermanence, the fragility of power, and the inevitable decline of even the most imposing structures.
The drawings subtexts extend beyond mere documentation; it seems to explore themes of memory, loss, and the relationship between humanity and time. The absence of human figures amplifies this sense of solitude and invites contemplation on the history embedded within the stone itself. It is not merely a depiction of an architectural monument but rather a visual poem about the enduring power of ruins to evoke reflection and inspire melancholy.