Hermitage ~ part 04 – Dzhampetrino - Madonna and Child
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Глядя на неё, хочется завести нормальную семью и жить долго и счастливо. Православные иконы вызывают прямо противоположные чувства.
You cannot comment Why?
The child rests against his mothers cheek, his face turned towards the viewer with an innocent, almost quizzical look. His skin appears soft and delicate, highlighted by subtle gradations of light and shadow. The artist has paid particular attention to capturing the vulnerability and tenderness inherent in this familial bond.
Behind them unfolds a landscape – a vista of rolling hills, a river winding through the valley, and distant buildings nestled amongst the terrain. A tall, slender tree stands prominently on the left side of the scene, its foliage rendered with careful detail. The atmospheric perspective employed suggests considerable distance, creating a sense of vastness and tranquility within the background.
The overall effect is one of quiet dignity and serene contemplation. The subdued color palette, combined with the soft lighting, contributes to an atmosphere of gentle reverence. Theres a palpable feeling of intimacy between mother and child, underscored by their physical closeness and shared gaze. The landscape, while present, serves more as a backdrop than a focal point, reinforcing the central theme of maternal love and protection. The composition seems designed to evoke feelings of peace and spiritual contemplation in the viewer.