Hermitage ~ part 03 – Hau Edward Petrovich - Types of rooms of the Winter Palace. Study of the Empress Alexandra Feodorovna (2)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The arrangement of furniture contributes to the overall impression of refined taste. A plush armchair sits prominently near a window, inviting contemplation or conversation. A writing desk, laden with books and decorative objects, hints at intellectual pursuits and administrative duties. The placement of these items suggests both functionality and display – they are tools for work but also symbols of leisure and cultural refinement.
The lighting is complex. Natural light streams in through tall windows, illuminating the space while casting shadows that deepen the richness of the red walls. Artificial illumination comes from several candelabras, their warm glow adding to the atmosphere of intimacy and exclusivity. A large crystal chandelier hangs centrally, reflecting and amplifying the light throughout the room.
The ceiling is a significant element in the composition. It’s a painted dome depicting figures amidst clouds, evoking a sense of grandeur and transcendence. This contrasts with the more grounded materiality of the room below, creating a visual dialogue between earthly concerns and aspirations for something higher. The decorative scheme on the ceiling suggests an attempt to elevate the space beyond mere functionality, transforming it into a sanctuary or a place of inspiration.
Subtly, the painting conveys notions of power, privilege, and cultivated taste. The sheer abundance of objects – the portraits, the furniture, the decorations – speaks to considerable wealth and social standing. The meticulous arrangement suggests an emphasis on control and order, reflecting perhaps the values of the individual who occupies this space. There is a sense of deliberate staging; its not merely a room but a carefully constructed environment designed to project a particular image. The presence of numerous portraits also implies a preoccupation with legacy and remembrance – a desire to be remembered and to connect oneself to a larger historical narrative.