Ukhtomsky, Konstantin Andreevich. Types of rooms of the New Hermitage. Voltaires library Hermitage ~ part 12

The drawing presents a view into a spacious room, characterized by its classical architectural elements and refined aesthetic. The perspective is centered along a receding corridor, leading the eye towards a distant window that provides the only source of natural light. This creates a sense of depth and emphasizes the room’s considerable length.
The walls are divided into horizontal bands of color – pale yellow at the base, transitioning to a warmer beige above, culminating in a soft blue ceiling. The architectural detailing is intricate; decorative moldings adorn the upper reaches of the walls, while elaborate cartouches and floral motifs embellish the vaulted ceiling. These elements suggest an environment intended for intellectual pursuits and refined taste.
Along both sides of the corridor stand tall, dark wood bookcases, their glass doors reflecting the light and adding to the room’s sense of opulence. The arrangement of these bookcases creates a symmetrical composition, reinforcing the impression of order and control.
Dominating the foreground is a marble statue placed on an elevated pedestal. The figure appears to be a man in classical garb, his posture suggesting contemplation or perhaps a moment of quiet reflection. This placement draws immediate attention and introduces a layer of symbolic meaning; it implies that this space is dedicated not only to books but also to intellectual engagement and the veneration of figures associated with knowledge and enlightenment.
The floor is tiled in a geometric pattern, further contributing to the overall sense of formality and precision. The color palette is restrained, relying on muted tones that enhance the feeling of serenity and quietude.
Subtly, the drawing conveys an atmosphere of scholarly pursuit and cultivated leisure. It speaks to a world where knowledge is valued, beauty is appreciated, and intellectual pursuits are conducted within a setting designed to inspire contemplation and refinement. The absence of human figures reinforces this sense of solitude and invites the viewer to imagine themselves as part of this tranquil environment.