Ukhtomsky, Konstantin Andreevich. Types of rooms of the New Hermitage. Cabinet sculpture Hermitage ~ part 12

The artwork presents a meticulously rendered interior space, characterized by its grandeur and opulence. Here we observe a long, rectangular room defined by walls paneled in what appears to be reddish-orange marble, punctuated by pilasters of the same material. The floor is laid with large, grey and white checkered tiles, reflecting light and contributing to the overall sense of spaciousness.
The perspective draws the eye toward a distant doorway, framed by architectural details that suggest another room beyond, further amplifying the depth of the space. Light streams in from an unseen source, illuminating the marble surfaces and creating subtle gradations of tone. The illumination is particularly pronounced on the floor tiles, generating a visual pathway to the vanishing point.
Along both sides of the room stand numerous sculptures, predominantly busts mounted on pedestals. These figures are rendered with considerable detail, their expressions and postures conveying a sense of dignity and classical refinement. Their placement within the space suggests a deliberate arrangement intended to showcase them as objects of artistic merit.
The ceiling is an elaborate composition of plasterwork, featuring intricate moldings, rosettes, and other decorative elements in muted gold and cream tones. The vaulting creates a rhythmic pattern that reinforces the room’s symmetry and contributes to its imposing scale.
Subtly, the painting conveys themes of cultural heritage and institutional power. The presence of classical sculptures suggests an emphasis on artistic tradition and historical significance. The lavish materials and architectural design speak to wealth, patronage, and the importance placed upon art and culture within a specific societal context. The room itself seems designed not merely for display but as a statement – a testament to refined taste and intellectual pursuit. The meticulous rendering of every detail suggests an intention to capture not just the appearance of the space, but also its atmosphere of reverence and contemplation.