Ukhtomsky, Konstantin Andreevich. Types of rooms of the New Hermitage. Raphael Loggia Hermitage ~ part 12

The drawing presents a long, rectangular space defined by classical architectural elements. The perspective is strongly linear, guiding the viewers eye deep into the room, which recedes dramatically towards a distant doorway. This creates a sense of vastness and invites exploration.
Here we see an elaborate interior characterized by arched openings supported by Corinthian columns. These columns are adorned with relief sculptures, adding to the overall richness of the decoration. The walls themselves appear paneled, further emphasizing the formality and grandeur of the setting. Above the panels, more intricate reliefs are visible, suggesting a layered system of ornamentation.
The ceiling is particularly noteworthy. It’s decorated with frescoes depicting figures in dynamic poses within elaborate cartouches and architectural frameworks. These scenes seem to be narrative in nature, though their specific content remains ambiguous without closer examination. The lighting appears diffused, illuminating the space evenly and highlighting the textures of the surfaces.
A small table is positioned on the left side of the composition, partially obscured by shadow. Its presence introduces a subtle element of human scale into the otherwise monumental scene. The floor is patterned with geometric designs in contrasting colors, contributing to the visual complexity and reinforcing the sense of order and precision.
The drawing’s subtexts likely revolve around themes of cultural heritage and artistic preservation. The meticulous rendering suggests an intention to document and celebrate a space of significant historical and aesthetic value. The emphasis on detail implies a reverence for craftsmanship and a desire to convey the importance of maintaining such architectural treasures. Theres also a sense of idealized representation; the room appears pristine, suggesting a deliberate effort to present it in its most favorable light. The darkness surrounding the depicted area creates an isolating effect, emphasizing the interior as a contained world of beauty and refinement.