Avnatamov, A. – Winter running is not Neva Hermitage ~ Part 01

The artwork presents a vast, frozen expanse under a muted sky, dominated by a sense of expansive cold and controlled leisure. Here we see a wide, cleared track carved into what appears to be a river or large body of water, now completely encased in ice. The surface is meticulously prepared for some form of racing; the straightaways are clearly defined, while gentle curves suggest a circuitous route.
Along the edges of this icy arena, crowds have gathered, densely packed and rendered with a degree of detail that suggests social stratification. The figures closest to the track appear more formally dressed, hinting at their status as spectators of some importance. Further back, the groups become less distinct, blending into the general mass of onlookers. Small structures – likely refreshment stands or viewing platforms – are scattered along the perimeter, adding to the sense of a carefully orchestrated event.
In the foreground, a lone horse and rider traverse the track, their movement emphasized by the stark contrast against the frozen backdrop. This central figure serves as a focal point, drawing the eye into the scene and suggesting the activity that defines this space.
The background reveals an urban landscape, characterized by monumental architecture. A large building with numerous windows is prominently displayed, topped with a tricolor flag – a detail which introduces a layer of political or national significance. Further in the distance, other structures rise above the horizon line, contributing to the overall impression of grandeur and civic importance.
The color palette is restrained, primarily consisting of muted browns, grays, and whites, reinforcing the feeling of winter’s chill. The artist employed subtle gradations of tone to create a sense of depth and atmosphere, while also highlighting the textures of the ice, snow, and clothing.
Subtly embedded within this depiction of recreation is an exploration of social order and national identity. The meticulously prepared track, the formal attire of some spectators, and the monumental architecture all contribute to a narrative of controlled leisure enjoyed by a privileged class. The frozen river itself, transformed into a space for entertainment, speaks to humanity’s ability to impose order upon nature, even in harsh conditions. The presence of the flag suggests an assertion of national pride or perhaps a commentary on the role of spectacle in reinforcing social and political structures.