Boris Grigoriev – The old woman-thrush
1917. 62х70,5
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Flanking this central figure are elements that disrupt conventional perspective and create a sense of unsettling proximity. A large bird – likely an avian creature given its size and placement – looms on the left, its eye positioned close to the woman’s face, creating a visual echo and blurring the boundaries between human and animal. The birds scale is exaggerated, suggesting a symbolic significance beyond mere representation.
The background presents a fragmented landscape. A suggestion of a rural scene unfolds: glimpses of fences, trees with gnarled branches, and indistinct figures in the distance are visible. These elements are not rendered realistically but rather as blocks of color and form, contributing to the overall dreamlike or hallucinatory quality of the work. The palette is dominated by earthy tones – browns, greens, yellows – interspersed with stark whites and reds that draw attention to specific areas.
The painting’s subtexts seem to explore themes of age, nature, and perhaps a connection between humanity and the animal kingdom. The womans intense gaze suggests resilience or defiance in the face of time and circumstance. Her proximity to the bird implies an interconnectedness – a blurring of the lines between human experience and the natural world. The fragmented landscape could be interpreted as representing a disrupted or altered perception of reality, hinting at themes of memory, loss, or psychological complexity. The bowl she holds might symbolize sustenance, offering, or even a burden. Overall, the work evokes a sense of unease and ambiguity, prompting reflection on the complexities of existence and the relationship between humans and their environment.