Diego et moi Frida Kahlo (1907-1954)

This is a self-portrait of Frida Kahlo, titled Diego et moi, painted in 1949. Kahlo is depicted in a close-up, facing the viewer directly. She has her characteristic unibrow and faint mustache. Her dark hair is loosely framing her face and falls over her shoulders.
A notable element of the painting is a miniaturized portrait of a mans head superimposed on Kahlos forehead, just above her eyebrows. This figure has three eyes, with the central one resembling the third eye imagery often associated with spiritual or mystical insight. The man depicted is widely understood to be Diego Rivera, Kahlos husband and fellow artist.
Kahlos expression is somber, with tears actively falling from her eyes, suggesting profound sadness or emotional distress. Her lips are painted a vivid red, a common feature in her self-portraits, which can symbolize passion or defiance. She is wearing a colorful, patterned shawl or garment around her neck and shoulders, intricate in its design with gold and red hues.
The background is a muted, textured green, with a few small, red circular shapes scattered on the upper right. The artists signature and the paintings title are inscribed in red script in the upper right quadrant of the canvas.
The subtexts of this painting are rich and deeply personal, reflecting Kahlos turbulent relationship with Diego Rivera and her own emotional state. The presence of Riveras head on her forehead signifies his inescapable influence and perhaps the feeling that he is constantly on her mind or even within her thoughts. The third eye on Riveras portrait could symbolize his insight, his artistic vision, or his perceived ability to see beyond the ordinary, while simultaneously suggesting Kahlos awareness of his complexities. The tears are a clear expression of her pain and sorrow, likely stemming from the ups and downs of her passionate but often tumultuous marriage, which was marked by infidelity and emotional strain. The self-portrait, as in much of Kahlos work, is an unflinching exploration of her inner world, her identity, and her suffering, intertwined with her profound love for Rivera.