journal (10) Frida Kahlo (1907-1954)

The drawing presents a scene dominated by skeletal figures and bold lettering. At the top, large, roughly rendered text proclaims Muertes en Relajo, seemingly translating to “Deaths at Ease” or “Deaths in Relaxation.” The lettering itself is executed with an energetic, almost frantic quality, using green and red hues that contrast sharply against the off-white background.
Below this inscription, three skeletal figures are depicted. One stands on the left, its arms raised in a gesture that could be interpreted as either supplication or offering. A second figure, centrally positioned, appears to be dancing or swaying; it is adorned with what seems to be a pink garment decorated with floral patterns, which introduces an element of unexpected festivity into the macabre scene. The third skeleton sits at the bottom right, its posture suggesting resignation or observation.
The artist’s use of color is striking. A palette of greens, reds, and pinks, applied in broad strokes, creates a vibrant yet unsettling atmosphere. The figures are not rendered with anatomical precision; instead, they possess a simplified, almost cartoonish quality that diminishes the potential for horror while amplifying an impression of playful irreverence.
The subtext of this drawing seems to explore themes of mortality and acceptance. The phrase Muertes en Relajo suggests a perspective on death that is not one of fear or dread, but rather of ease and even enjoyment. The dancing skeleton further reinforces this notion, implying a celebration of life in the face of inevitable demise. The floral pattern on its garment introduces an element of beauty and ornamentation, softening the starkness of the skeletal form. Overall, the drawing conveys a complex message about confronting death with humor and a degree of detachment.