French artists – Brun, Charles Le (French, 1619-1690) 1
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The human figures are less precisely delineated but convey a sense of urgency and control. One figure, positioned at the front, wears a helmet and appears to be guiding the horses with a spear or staff. The second man, situated further back within the vehicle, is depicted in profile, his posture suggesting active participation in the unfolding action.
The composition is characterized by a strong diagonal thrust, created by the forward momentum of the horses and the angled placement of the chariot. This creates an immediate sense of movement and instability. A grid system is faintly visible across the surface of the drawing, likely indicating preliminary compositional studies or guidelines used during its creation. The artist employed a limited tonal range, primarily relying on variations in brown ink to define form and create depth.
Subtleties within the work suggest more than just a straightforward depiction of a race or procession. The rearing horse introduces an element of chaos and potential danger, hinting at forces beyond human control. The presence of classical attire – the helmeted figure’s armor – implies a mythological context, perhaps referencing a narrative involving divine intervention or heroic struggle. The grid overlay, while functional in its purpose, also contributes to the drawings intellectual character, suggesting a deliberate exploration of spatial relationships and compositional balance. Overall, the work conveys a sense of controlled energy and dramatic tension, indicative of an artist engaged with both technical skill and complex thematic concerns.