Pier is from morning to evening and from evening until utrechka Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition centers around a group of children gathered around a simple wooden table. The scene is bathed in a muted, earthy light that suggests an interior space with limited illumination. A young woman, presumably their caregiver or mother, stands behind them, holding a bowl and observing the childrens meal. Her posture conveys a sense of weariness and quiet vigilance.
The children themselves are depicted with varying degrees of engagement. One boy leans forward intently, his gaze fixed on his bowl, while another appears to be lost in thought, his face partially obscured by his hand. A third child stares directly out of the frame, creating a direct connection with the viewer. The fourth is positioned further back and slightly turned away, suggesting a degree of detachment or perhaps shyness. Their clothing is modest and functional, indicative of their socioeconomic status.
The table itself is sparsely set with simple bowls, reinforcing the impression of austerity and limited resources. A handwritten inscription runs along the bottom edge of the painting; its legibility is compromised but it seems to be a folk saying or proverb.
Beyond the immediate depiction of a family meal, the work evokes themes of childhood, poverty, and resilience. The childrens expressions, ranging from focused concentration to quiet introspection, suggest a life shaped by hardship yet also imbued with moments of simple contentment. The woman’s presence underscores the burdens borne by those responsible for caring for vulnerable individuals in challenging circumstances.
The color palette is dominated by browns, ochres, and muted greens, contributing to the overall atmosphere of somber realism. The loose brushwork and lack of precise detail further enhance this sense of immediacy and authenticity. It’s a scene that speaks not only of daily life but also of enduring human spirit in the face of adversity.