Silhouette. Types of Sketches Turgenev 1883 Cover Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents a formal portrait framed by natural elements, executed in stark black ink on a white background. A central oval vignette contains a profile silhouette of a man, his features rendered with careful attention to detail – a prominent nose, a defined chin, and the suggestion of a receding hairline. The silhouette is encircled by an elaborate arrangement of foliage, creating a decorative border that emphasizes its importance.
Flanking this portrait are asymmetrical arrangements of branches and leaves, extending outwards from the central oval. These botanical elements appear somewhat wild and untamed, contrasting with the formality of the portrait itself. At the base of the composition, a line of waterfowl is depicted in profile, their forms simple yet recognizable against the groundline.
The text integrated into the design provides contextual information. Vertically aligned lettering identifies the work as related to writings by I.S. Turgenev, while another inscription attributes the artwork to “Zina Briz.” The date 1883 and a measurement (20 x 11 cm) are also included, anchoring the piece within a specific historical context.
The interplay of elements suggests several subtexts. The silhouette’s formality implies respect for the individual depicted – likely Turgenev himself – while the surrounding foliage hints at a connection to nature or rural life, themes often present in Turgenevs writing. The waterfowl at the base could symbolize tranquility, observation, or perhaps even a sense of detachment from human affairs. The overall effect is one of reverence combined with an appreciation for the natural world, creating a visual representation that complements and enhances the literary work it accompanies.