Griby4 Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents a meticulously rendered study of various fungal forms. Six distinct specimens are arranged across the page, each depicted with considerable detail and precision. The artist employed a restrained palette dominated by earthy tones – browns, creams, ochres, and muted reds – which contribute to an overall sense of naturalism and scientific objectivity.
The upper register showcases three examples of coral fungi. Here we see one specimen exhibiting a complex branching structure, its surface mottled with shades of brown and cream. Adjacent to it is a smaller, more vibrant orange example, while the third displays a simpler, less elaborate form. The artist’s attention to texture is evident in the rendering of these delicate structures; subtle gradations in color suggest variations in moisture and density.
Below, three additional fungi are presented. Two appear as rounded masses, one creamy white and the other a more substantial tan hue. A third, centrally positioned, exhibits a bulbous base supporting a broad, flattened cap with a distinctive pattern of ridges and furrows.
The lower portion of the image is dedicated to depictions of truffles or similar subterranean fungi. These are characterized by their dark, often glossy surfaces, marked with intricate patterns of pits and crevices. The artist has captured the subtle variations in color and texture that define these specimens, emphasizing their unique morphology.
Beneath each fungal depiction, a small block of text provides what appears to be a scientific designation or description. This suggests the work’s purpose is not purely aesthetic but rather serves as an illustration for botanical or mycological study. The careful observation and precise rendering suggest a commitment to accurate representation, indicative of a period when detailed natural history illustrations were crucial for scientific understanding.
The overall effect is one of quiet contemplation and meticulous documentation. The arrangement feels deliberate, suggesting a systematic approach to classifying and recording these often-overlooked aspects of the natural world.