Every soul Prazdnichku happy. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition centers around a small child nestled within a bed, framed by an oval aperture that dominates the visual field. The child is swathed in white fabric, suggesting infancy and vulnerability. A palpable sense of repose emanates from the figure; their eyes are closed, and their posture indicates deep sleep or quiet contemplation.
The artist has rendered the child’s face with a delicate touch, emphasizing soft contours and subtle shading to convey innocence and serenity. The color palette is muted, primarily consisting of warm browns, creams, and whites, contributing to an atmosphere of gentle tranquility. A single, reddish-brown object – perhaps a toy or a piece of fruit – is clutched in the child’s hand, introducing a minor element of visual interest without disrupting the overall sense of calm.
The bed itself is depicted with minimal detail, serving primarily as a platform for the central figure. The background within the oval frame appears indistinct and hazy, further isolating the child and drawing attention to their solitary presence. A handwritten inscription in an elegant script runs along the lower edge of the image; its content remains illegible without translation but adds a layer of personal or sentimental significance.
The overall effect is one of quiet intimacy and profound tenderness. The use of the oval frame evokes associations with preciousness, protection, and perhaps even spiritual encapsulation. The scene suggests themes of childhood innocence, domesticity, and the simple joys found in moments of peaceful solitude. It’s a portrayal that seems to celebrate the sanctity of life and the inherent happiness residing within it.