By Easters. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents a young girl in what appears to be a rural setting, engaged with a domestic fowl. She stands barefoot on dry straw or hay, her posture suggesting attentiveness and perhaps a degree of caution as she offers something from her small basket towards the chicken. The child is dressed simply; a white blouse tucked into a dark blue skirt, complemented by an apron-like pouch tied around her waist. Her hair is short and dark, framing a face rendered with delicate detail.
The chicken, prominently positioned to the left of the girl, displays a curious alertness, its head tilted as if assessing the offering. The artist has captured the texture of its feathers with visible brushstrokes, contributing to a sense of immediacy and naturalism.
Behind the figures, a backdrop of muted yellows and browns creates an impression of sunlight filtering through foliage or a weathered wall. This background is loosely rendered, allowing it to recede into a soft focus that emphasizes the foreground elements. The inscription at the top, written in a script unfamiliar to modern eyes, adds another layer of cultural context, hinting at a specific tradition or celebration.
The scene evokes themes of childhood innocence, rural life, and perhaps a connection to seasonal rituals. The offering from the basket could symbolize generosity, sustenance, or participation in a communal custom. The interaction between the girl and the chicken suggests a harmonious relationship with nature, characteristic of agrarian societies. The bare feet imply a closeness to the earth and a lack of formality, reinforcing the sense of simplicity and authenticity that permeates the work. Overall, the painting conveys a quiet moment of observation and connection within a specific cultural context.