On the new godok carry health kuzovok. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The artwork presents a young child standing in what appears to be a snowy landscape. The figure is centrally positioned and dominates the composition. They are dressed in layered clothing – a thick coat, a scarf covering their head, and mittens clasped together in front of them. The garments suggest protection from harsh weather conditions, reinforcing the impression of a cold environment.
The child’s posture conveys a sense of weariness or burden; they seem to be slightly stooped, as if carrying something heavy on their back. This is further emphasized by the large sack slung over their shoulder, its contents obscured but implied to be substantial. The facial expression is difficult to discern definitively, though theres an element of quiet resilience present.
The background is rendered with a loose brushstroke technique, creating a sense of atmospheric depth and suggesting a blurred or indistinct setting. Snow drifts are visible beneath the child’s feet, contributing to the overall feeling of wintery isolation. The color palette is muted – primarily earth tones (browns, yellows) for the clothing contrasted against the whites and grays of the snow. This limited range contributes to a somber mood.
Above the figure, Cyrillic script is visible, seemingly forming an inscription or poem. Its presence adds another layer of meaning, suggesting that the image is intended as more than just a straightforward depiction; it carries a narrative or symbolic weight. The text likely provides context for understanding the child’s actions and the significance of the sack they carry.
Subtly, the work seems to explore themes of labor, sacrifice, and perhaps even hope within challenging circumstances. The childs role as a carrier could be interpreted metaphorically – representing the burden of responsibility or the delivery of essential resources during times of hardship. The overall impression is one of quiet dignity in the face of adversity, with an underlying sense of communal support implied by the inscription.