Cover menu. 1901 1. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The drawing presents a scene of apparent absurdity and social commentary. Here we observe a figure suspended upside down from a frame-like structure, their limbs dangling awkwardly. The individual is clothed in what appears to be formal attire, suggesting a position of some authority or status. Below them stands another person, significantly smaller in scale, gesturing upwards with an object held aloft – possibly a horn or trumpet.
The composition is deliberately unsettling. The inversion of the upper figure immediately disrupts conventional perspectives and expectations. This visual distortion could signify a questioning of established hierarchies or societal norms. The diminutive size of the lower figure, contrasted with the larger, suspended one, further emphasizes this power dynamic, potentially suggesting mockery or subversion.
A decorative frame surrounds the central scene, its intricate patterns providing a formal backdrop that ironically clashes with the chaotic nature of the depicted event. A small oval cartouche is positioned to the left, containing an indiscernible symbol or initial. The handwritten script at the bottom indicates authorship and possibly a title, though the legibility is limited.
The drawing’s subtexts likely revolve around themes of social satire and critique. It seems to challenge conventional notions of power, status, and authority through visual incongruity and deliberate distortion. The artist appears to be employing humor and absurdity as tools for commentary, prompting viewers to question the structures and individuals that uphold societal order. The overall effect is one of playful irreverence and a subtle questioning of established conventions.