Édouard Manet – Beach at Boulogne
1869. 54x87
Location: Virginia Museum of Fine Arts, Richmond.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a collection of individuals engaged in leisure activities. Several women are seated or reclining on the sand, shielded from the sun by parasols; their attire suggests a middle-class status. Others stroll along the shoreline, while children play near the waters edge. A small group is gathered around what appears to be a pony cart, suggesting amusement and recreation for younger visitors. The figures are not sharply defined but rather rendered with loose brushstrokes, contributing to an overall impression of fleeting moments and transient experiences.
The sea itself is depicted as dynamic and somewhat ominous. Waves break against the shore, and smoke rises from distant vessels, hinting at maritime activity and perhaps a sense of industrial presence beyond the immediate scene. The sky is overcast, diffusing the light and creating a subdued mood.
Subtly, the painting conveys observations about modern leisure and social dynamics. The arrangement of figures suggests a stratified society – those who can afford to relax on the beach are distinct from those involved in providing entertainment or transportation. The presence of the sea, both inviting and potentially threatening, underscores the power of nature and its impact on human endeavors. Theres an underlying sense of melancholy; the transient nature of pleasure is implied by the fleeting light and the impermanence of the scene. The artist seems to be less interested in precise representation than in capturing a feeling – a moment of observation of life unfolding at the edge of the sea, imbued with both enjoyment and a quiet awareness of its fragility.