Édouard Manet – Still Life with Melon and Peaches
1866. 68x91
Location: National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A woven basket overflows with fruit – predominantly melons and peaches – arranged in a seemingly casual manner. A cluster of green grapes sits adjacent to the basket, adding another layer of textural contrast. The arrangement is not symmetrical; rather, theres an intentional imbalance that contributes to a sense of naturalness. A large melon occupies a prominent position on a silver platter, its surface exhibiting a complex interplay of light and shadow.
To the right of the platter stands a dark glass bottle alongside a delicate wine glass, both contributing to the overall impression of abundance and domesticity. The bottle’s shape is simple yet elegant, while the glass reflects the ambient light, creating subtle highlights.
The subdued color palette – primarily greens, yellows, whites, and browns – reinforces the paintings quiet, contemplative mood. Light appears to originate from an unseen source on the left, illuminating the fruit and fabric with a soft glow. The dark background serves to isolate the objects, drawing attention to their form and texture.
Beyond the straightforward depiction of everyday objects, the arrangement suggests themes of transience and the fleeting nature of beauty. Fruit, as a symbol of ripeness and decay, inherently carries this connotation. The careful rendering of the textures – the rough weave of the basket, the smooth skin of the peaches, the crispness of the linen – heightens the viewers awareness of these qualities. The overall effect is one of quiet observation, inviting contemplation on the simple pleasures and inevitable changes that characterize life.