На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Her posture is striking: one hand presses against her forehead, as if warding off a physical or emotional distress, while the other arm extends upwards in a gesture that could be interpreted as reaching for support or expressing a surge of energy. The tilt of her head and the slight parting of her lips convey an impression of strain, perhaps even pain. Her gaze is directed upward, beyond the viewers perspective, suggesting a focus on something unseen, internal.
The background is treated with a similar looseness to the figure, consisting of blurred shapes and washes of color that evoke the atmosphere of a rehearsal space or stage backdrop. The lack of precise detail in the surroundings contributes to the sense of isolation surrounding the dancer.
Theres an immediacy to the work; it feels less like a finished product and more like a fleeting observation captured on paper. This spontaneity is reinforced by the visible texture of the pastel, with its layered strokes and subtle gradations of tone. The color palette is muted – dominated by whites, grays, and pale pinks – which further emphasizes the emotional fragility conveyed through the figures pose and expression.
Subtly, the drawing explores themes of physical exertion, artistic discipline, and perhaps even the psychological toll exacted by demanding performance practices. It’s not a celebratory depiction of dance; instead, it offers a glimpse into the private struggles and vulnerabilities that might lie beneath the surface of public display. The work invites contemplation on the relationship between art, labor, and emotional experience.