Before the Rehearsal Edgar Degas (1834-1917)

In this pastel painting titled Before the Rehearsal by Edgar Degas, a group of ballerinas are depicted in what appears to be a practice room. The lighting is soft and warm, suggesting an indoor setting with natural light.

In the foreground, a young ballerina with auburn hair tied in a bun is bent over, focusing on her foot. She is wearing a delicate white tutu and pink ballet slippers, her body angled to convey deep concentration. To her right, another ballerina stands, her white tutu voluminous and translucent. Her head is bowed, her gaze directed downwards, and her arms are positioned somewhat idly, hinting at anticipation or perhaps fatigue.

Behind these two dancers, two older women are visible. One, with grey hair, is seated, wearing a patterned shawl and dark head covering. She appears weary or perhaps contemplative, her expression difficult to discern. Beside her, another woman, also with dark hair and a hat, leans forward, seemingly observing the ballerinas.

The subtexts of the painting are rich and nuanced:

• The Illusion vs. Reality of Ballet: Degas often captured the less glamorous side of ballet, and this painting is no exception. The focus on the ballerinas bent postures, weary gazes, and the presence of patrons or overseers hints at the hard work, discipline, and potential exploitation behind the beautiful facade of ballet. The title itself, Before the Rehearsal, suggests a moment of preparation, a pause before the polished performance.
• Age and Experience: The contrast between the young, focused ballerinas and the older, more world-weary women suggests the passage of time and the inevitable cycle of a dancers career. The older women might represent former dancers, mothers, or impresarios, all connected to the world of ballet but no longer in the spotlight.
• Observation and Voyeurism: The presence of the seated and leaning women can be interpreted as them observing the dancers, perhaps critically or enviously. This can extend to the viewers role as well, who is given a privileged glimpse into this private moment, creating a subtle sense of voyeurism.
• The Artistic Process: Degas himself was an observer of modern life, and his paintings often feel like candid snapshots. Here, he captures a moment of stillness and introspection, highlighting the quiet dedication and underlying humanity of the performers.
• Femininity and Vulnerability: The soft fabrics of the tutus, the delicate lines of the ballerinas bodies, and their introspective poses all contribute to an atmosphere of feminine vulnerability and grace, tempered by the rigor of their profession.

Overall, Before the Rehearsal is a study in contrasts, revealing the dedication, effort, and human experience that underpin the seemingly effortless beauty of ballet.