Кир, а вы обратите внимание на возраст Моне, когда он рисовал это. А вообще, импрессионисты больше внимания уделяют передаче настроения, чем фотореалистичности. ❯❯❯
Да! Мог получиться гениальный художник. Какие цвета, сюжеты – чудо. Но занялся мазнёй, которую назвали имрессионизм. Лень-матушка это называется. чтобы побольше успеть намазать.Но это моё мнение. ❯❯❯
Что вы! Импрессионизм просто надо понять и полюбить! А Моне и есть гениальный художник. Вы только посмотрите на его картину "Кувшинки"Подумайте, разве лень, разве легко писать один и тот же предмет при разном освещении? ❯❯❯
ne mogy pisatj na kirillice, izvinite. ja figovij juzer,4to-to namydrila. Mane mne nravitsja boljwe,4em Mone. y poslednego kakie-to problemi. po neskoljky raz pisatj odin i tot ze vid?..! ja tak fotkaju na svoem 2-h pikseljnom nokia. toze tak typo dobivaju ❯❯❯
Картины Моне притягивают к себе раз и навсегда, не отпуская. Хочется видеть их постоянно. А наблюдать изменение в серийных пейзажах – просто завораживающе! Никогда не думала, что таким может быть импрессионизм!!! ❯❯❯
Здравствуйте! Вопрос к администраторам сайта. Периодически картины перестают открываться в полном разрешении, указанном в ссылке "Скачать полный размер" – открываются в "половинном" разрешении. На другой день все восстанавливается – полноразмерные картины ❯❯❯
Смотря в каком разрешении, для каких целей.2048px / 300dpi = 6.82дюймов * 2,54 = 17смЭто по большей стороне 300 точек на дюйм пиксель в пиксель. 17 см это А5. Подставляйте разрешение и получите другие размеры. Например при 150dpi получится А4 и т.д. ❯❯❯
Здравст-те. Хотелось бы уважаемые defs и Кира Розанова, сказать неск. слов в защиту импрессионистов.Да, пользуясь возможностью хочу еще раз поблагодарить Вас ув. defs за то, что предоставили свой замечат. сайт нам художникам. Счастья Вам и всего наилучшего ❯❯❯
Claude Monet began work on the painting Breakfast on the Grass at a relatively young age of 25. This artwork could have become one of the most grandiose in art history, but unfortunately, it was never finished. The initial dimensions of the painting were s ❯❯❯
Переймаю естафету від Yulia Korchuk. Ідея у тому, щоб заповнити соціальні мережі витворами мистецтва на противагу селфі та бруду. Кожен, хто поставить лайк, отримає ім"я художника, яке починається на першу літеру його прізвища. Твір цього митця треба розмі ❯❯❯
Здравствуйте! Можно ли заказать печать на вашем холсте моего фото или любой моего изображения? Если да, напишите, как это сделать. Удобнее всего, если бы можно было бы прислать вам по почте файл и приехать к вам оплатить и самовывозом забрать. Спасибо. ❯❯❯
When the artist passed away in 1926, Impressionism was already a thing of the past. One after another, other isms emerged and quickly became outdated – Expressionism, Cubism, Futurism. But Monet, who, fifty years earlier, had revolutionized painting with his colleagues, continued to paint his beloved water lilies until his final days.
It wasnt easy for the grocers son to embark on an artistic path. The mentors were unoriginal: tradition, the somber museum atmosphere, and the studio – a sacred place where art was born. It was the last third of the 19th century. A new generation of artists seemed to commit sacrilege by going outdoors and, trusting their eyes, attempting to capture fleeting impressions on canvas. Not the person and their psychology, but the life of the sky, the sun, the water. This painting imbued with light caused a storm of outrage. Claude Monets painting Impression. Sunrise, presented at an exhibition in 1874, gave its name to this new movement. The artist became its leader.
As if through shimmering veils of color, one can discern the outlines of portals, turrets, and stained glass windows of a Gothic cathedral. But then, like a twist of a magic kaleidoscope, and the cathedral is seen differently, in the evening. Another canvas depicts it at midday, when the facade is bathed in sunlight. This is an astonishingly colorful spectacle: Monets series Rouen Cathedral from the 1890s. What I paint, said the artist, is a moment. It requires truly refined vision to capture the most subtle nuances of color. His outstanding contemporary, Paul Cézanne, said: Monet is just an eye, but what an eye! Series followed series: Saint-Lazare Station, Haystacks. Clouds of steam, locomotive smoke, fog, the marine element. The most ephemeral, constantly changing motifs are subject to the artists brush. Impressionism became a fact of art. Behind it were humiliating persecution, ridicule, and poverty. Monets painting didnt change: it is a hymn to the sun, to light.
At the turn of the century, he began work on his famous series Water Lilies. In the 1910s and 20s, there was a new cycle of enormous decorative panels on the same theme. His interest in nature was boundless. In his final years, he essentially painted his own garden in Giverny. The flowers and trees planted by the artist himself inspired him to create the series Nymphéas and Weeping Willows. Pure colors, a pointillist stroke that breaks down forms into dozens, hundreds of shades – he remained true to Impressionism, even though it was already forgotten around him. Only the aging writer Romain Rolland confessed to the artist:... there is nothing left but to turn ones gaze to painting, where such creations as your Water Lilies blossom.
His innovative works were considered incomprehensible and rejected by the public. Need and despair almost drove him to suicide, but today his paintings are among the most expensive in the world. French Impressionist painter Claude Monet said: What I do well is that its unlike anything else. Its simply an impression that I received and experienced myself.
Claude Monet, one of the founders of Impressionism, was born in 1840 in Paris. His father, a grocer, had a shop in the port city of Havre. The undisciplined teenager spent more time by the water and on the cliffs than in class. He doodled caricatures of his teachers on notebook covers, and by the age of fifteen, he was known throughout Havre for his cartoons of local residents. The young Claudes work attracted the attention of landscape painter Eugène Boudin, who introduced Monet to the technique of painting outdoors with oil paints, which was considered unacceptable from an academic perspective. Later, Monet said that Boudin had taken a bandage off his eyes and helped him see the surrounding world.
Despite his parents resistance, Claude went to study painting in the capital. Monet eagerly absorbed new experiences and met Auguste Renoir and Camille Pissarro. On sunny days, the young artists would go out of town with paints and easels to paint nature from life. Two of Monets paintings, accepted for exhibition at the most prestigious salon in Paris, brought the young artist his first success.
Not infrequently, due to similar surnames, the public confused Claude Monet with Édouard Manet, the author of the scandalous Olympia and Breakfast on the Grass. To surprise the visitors of the salon in 1866, Claude decided to create his own version of Breakfast on the Grass. He worked on the huge six-meter canvas for several months, but the painting was never shown at the salon. Monet was forced to leave the almost finished work with the owner of the house as payment for lodging. The artist painted one canvas after another, but he could not find any buyers. The jury of the salon considered his works too avant-garde, and Monet could not escape poverty. His beloved woman and muse was expecting a child, and Claudes relatives, who paid for his living expenses, were categorically opposed to marriage. Only when Monets son was three years old did the painter legitimize his relationship with Camille.
In 1874, at an alternative exhibition of the anonymous society of artists, Monets painting Impression, Sunrise was presented. The title, which journalists initially mocked, became a definition of a new artistic direction – Impressionism (from the French word impression). Recognition and prosperity came to Claude only after forty years. Prices for his paintings began to rise, the long-standing fear of creditors disappeared, but Monets joy was overshadowed. Soon after the birth of their second child, his wife Camille died. Monet was supported by the former wife of his patron, Ernest Hoschedé. Disregarding ridicule and gossip, Claude Monet, with his two sons and Alice Hoschedé, who had six children, became one large family. They were only able to get married after the death of Alices ex-husband.
In search of visual impressions, Monet traveled a lot. He brought back numerous studies from his travels, as well as culinary recipes, from which he compiled an entire book. Striving to convey changes in color and lighting depending on the time of year, day, and weather, Monet was the first to create serial landscapes. Dozens of images of the Thames, haystacks, poplars, Rouen Cathedral. In 1883, the artist bought a house in the village of Giverny, obtained permission from the local authorities to divert water from a quiet river into the park, created numerous ponds, an orangery, and a garden with a Japanese bridge. Monet hired six gardeners to care for the park and the luxurious flowers collected from all over the world. The garden was an extension of his studio. Claude said that he had become an artist in order to reflect the beauty of flowers on canvases, and if he had not succeeded in painting, he would have become a botanist. The vast series Water Lilies is not only the result of the great masters creativity but also a reflection of the pain of a person who had lost two wives, his eldest son, and was rapidly losing his sight, despite all operations. I will paint even blind, like Beethoven wrote music while being completely deaf, said Monet. Cataracts changed his perception of the color palette; he could not paint blue because he could hardly distinguish it from black, so when choosing a color, he relied on the label on the tube of paint. Fortunately, three years after the first operation, visual perception was restored, and the 85-year-old artist returned to work. A year later, in 1926, Claude Monet died.
COMMENTS: 58 Ответы
When the artist passed away in 1926, Impressionism was already a thing of the past. One after another, other isms emerged and quickly became outdated – Expressionism, Cubism, Futurism. But Monet, who, fifty years earlier, had revolutionized painting with his colleagues, continued to paint his beloved water lilies until his final days.
It wasnt easy for the grocers son to embark on an artistic path. The mentors were unoriginal: tradition, the somber museum atmosphere, and the studio – a sacred place where art was born. It was the last third of the 19th century. A new generation of artists seemed to commit sacrilege by going outdoors and, trusting their eyes, attempting to capture fleeting impressions on canvas. Not the person and their psychology, but the life of the sky, the sun, the water. This painting imbued with light caused a storm of outrage. Claude Monets painting Impression. Sunrise, presented at an exhibition in 1874, gave its name to this new movement. The artist became its leader.
As if through shimmering veils of color, one can discern the outlines of portals, turrets, and stained glass windows of a Gothic cathedral. But then, like a twist of a magic kaleidoscope, and the cathedral is seen differently, in the evening. Another canvas depicts it at midday, when the facade is bathed in sunlight. This is an astonishingly colorful spectacle: Monets series Rouen Cathedral from the 1890s. What I paint, said the artist, is a moment. It requires truly refined vision to capture the most subtle nuances of color. His outstanding contemporary, Paul Cézanne, said: Monet is just an eye, but what an eye! Series followed series: Saint-Lazare Station, Haystacks. Clouds of steam, locomotive smoke, fog, the marine element. The most ephemeral, constantly changing motifs are subject to the artists brush. Impressionism became a fact of art. Behind it were humiliating persecution, ridicule, and poverty. Monets painting didnt change: it is a hymn to the sun, to light.
At the turn of the century, he began work on his famous series Water Lilies. In the 1910s and 20s, there was a new cycle of enormous decorative panels on the same theme. His interest in nature was boundless. In his final years, he essentially painted his own garden in Giverny. The flowers and trees planted by the artist himself inspired him to create the series Nymphéas and Weeping Willows. Pure colors, a pointillist stroke that breaks down forms into dozens, hundreds of shades – he remained true to Impressionism, even though it was already forgotten around him. Only the aging writer Romain Rolland confessed to the artist:... there is nothing left but to turn ones gaze to painting, where such creations as your Water Lilies blossom.
His innovative works were considered incomprehensible and rejected by the public. Need and despair almost drove him to suicide, but today his paintings are among the most expensive in the world. French Impressionist painter Claude Monet said: What I do well is that its unlike anything else. Its simply an impression that I received and experienced myself.
Claude Monet, one of the founders of Impressionism, was born in 1840 in Paris. His father, a grocer, had a shop in the port city of Havre. The undisciplined teenager spent more time by the water and on the cliffs than in class. He doodled caricatures of his teachers on notebook covers, and by the age of fifteen, he was known throughout Havre for his cartoons of local residents. The young Claudes work attracted the attention of landscape painter Eugène Boudin, who introduced Monet to the technique of painting outdoors with oil paints, which was considered unacceptable from an academic perspective. Later, Monet said that Boudin had taken a bandage off his eyes and helped him see the surrounding world.
Despite his parents resistance, Claude went to study painting in the capital. Monet eagerly absorbed new experiences and met Auguste Renoir and Camille Pissarro. On sunny days, the young artists would go out of town with paints and easels to paint nature from life. Two of Monets paintings, accepted for exhibition at the most prestigious salon in Paris, brought the young artist his first success.
Not infrequently, due to similar surnames, the public confused Claude Monet with Édouard Manet, the author of the scandalous Olympia and Breakfast on the Grass. To surprise the visitors of the salon in 1866, Claude decided to create his own version of Breakfast on the Grass. He worked on the huge six-meter canvas for several months, but the painting was never shown at the salon. Monet was forced to leave the almost finished work with the owner of the house as payment for lodging. The artist painted one canvas after another, but he could not find any buyers. The jury of the salon considered his works too avant-garde, and Monet could not escape poverty. His beloved woman and muse was expecting a child, and Claudes relatives, who paid for his living expenses, were categorically opposed to marriage. Only when Monets son was three years old did the painter legitimize his relationship with Camille.
In 1874, at an alternative exhibition of the anonymous society of artists, Monets painting Impression, Sunrise was presented. The title, which journalists initially mocked, became a definition of a new artistic direction – Impressionism (from the French word impression). Recognition and prosperity came to Claude only after forty years. Prices for his paintings began to rise, the long-standing fear of creditors disappeared, but Monets joy was overshadowed. Soon after the birth of their second child, his wife Camille died. Monet was supported by the former wife of his patron, Ernest Hoschedé. Disregarding ridicule and gossip, Claude Monet, with his two sons and Alice Hoschedé, who had six children, became one large family. They were only able to get married after the death of Alices ex-husband.
In search of visual impressions, Monet traveled a lot. He brought back numerous studies from his travels, as well as culinary recipes, from which he compiled an entire book. Striving to convey changes in color and lighting depending on the time of year, day, and weather, Monet was the first to create serial landscapes. Dozens of images of the Thames, haystacks, poplars, Rouen Cathedral. In 1883, the artist bought a house in the village of Giverny, obtained permission from the local authorities to divert water from a quiet river into the park, created numerous ponds, an orangery, and a garden with a Japanese bridge. Monet hired six gardeners to care for the park and the luxurious flowers collected from all over the world. The garden was an extension of his studio. Claude said that he had become an artist in order to reflect the beauty of flowers on canvases, and if he had not succeeded in painting, he would have become a botanist. The vast series Water Lilies is not only the result of the great masters creativity but also a reflection of the pain of a person who had lost two wives, his eldest son, and was rapidly losing his sight, despite all operations. I will paint even blind, like Beethoven wrote music while being completely deaf, said Monet. Cataracts changed his perception of the color palette; he could not paint blue because he could hardly distinguish it from black, so when choosing a color, he relied on the label on the tube of paint. Fortunately, three years after the first operation, visual perception was restored, and the 85-year-old artist returned to work. A year later, in 1926, Claude Monet died.
Все его картины очень красивые и великолепные!
You cannot comment Why?