Days of Creation The 6th Day Sir Edward Burne-Jones (1833-1898)

The composition presents a vertical arrangement of figures and symbolic elements, dominated by a palette of deep blues, greens, and earthy tones. The overall effect is one of solemnity and contemplation.
At the apex of the work, four youthful figures, presumably angelic in nature, are positioned above a globe. Their expressions are serene, almost detached, suggesting observation rather than active participation. They wear wreaths or crowns of foliage, hinting at a connection to natural abundance and divine authority. The globe itself is rendered with intricate detail, depicting landmasses and what appears to be an ocean surface. Within the sphere, two human figures – a male and female – stand facing forward, their bodies idealized and presented in a classical style. Their posture conveys dignity and potential, representing humanity’s nascent state within the cosmic order.
Below this celestial tableau, another figure sits in repose, holding a stringed instrument. This individual is also youthful, with flowing hair adorned with floral elements. The pose suggests introspection and perhaps a melancholic awareness of the events unfolding above. The lower portion of the composition is filled with dense foliage – roses and other flowering plants – which creates a sense of enclosure and emphasizes the figures connection to the natural world.
The artist’s use of light is significant; it seems to emanate from behind the globe, illuminating the human figures within and casting a soft glow on the angelic observers. This highlights their importance as central subjects of creation. The vertical format contributes to the painting’s sense of grandeur and spiritual elevation.
Subtly woven into the imagery are themes of divine observation, the potential for humanity, and the inherent beauty and complexity of the natural world. There is a suggestion of both wonder and perhaps a touch of sadness – a recognition of human vulnerability within a vast and timeless universe. The composition avoids overt narrative; instead, it invites quiet reflection on the origins of existence and the role of humankind within that grand scheme.