Sir Edward Burne-Jones – King Mark and La Belle Iseult
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s expression is difficult to decipher; it seems neither entirely receptive nor resistant to his touch. She wears a flowing gown, partially veiled, and her gaze is directed slightly away from the man, contributing to an overall sense of detachment or internal contemplation. The foliage surrounding them – a dense arrangement of leaves, flowers (including lilies), and thorny vines – creates a claustrophobic atmosphere, suggesting enclosure and secrecy.
The architectural element on the left, likely part of the garden wall, features a fountain from which water flows. This detail introduces an element of natural abundance but also hints at potential waste or loss, as the water spills beyond its basin. The sword lying on the ground near the man’s feet is a significant symbolic marker; it represents power and potentially conflict, yet its placement suggests a temporary relinquishment or suspension of authority.
Subtleties in color contribute to the paintings mood. Earth tones dominate – ochres, browns, and muted greens – creating a sense of melancholy and age. The limited palette reinforces the feeling of restraint and suppressed emotion. The overall effect is one of quiet drama, hinting at an unspoken narrative involving power dynamics, deception, and perhaps forbidden desire. The scene feels poised on the precipice of revelation or crisis, leaving the viewer to speculate about the relationship between these two figures and the events that have led them to this moment.