Hylas, carried away by the nymphs in the water. 1823-1827 Karl Pavlovich Bryullov (1799-1852)

The drawing presents a dynamic and turbulent scene centered around a young male figure being enveloped by several female forms within what appears to be a body of water. The composition is dominated by swirling lines and energetic gestures that convey a sense of movement and struggle. A central group, consisting of the young man and at least two women, are caught in an upward surge, their bodies intertwined and seemingly lifted from below.
The male figure exhibits a posture of distress or resistance; his arms are raised, and his expression is difficult to discern due to the sketch-like quality, but suggests a combination of fear and exertion. The surrounding female figures appear to be actively pulling him upwards, their drapery flowing dramatically around them, contributing to the overall impression of chaotic motion. Their forms are rendered with varying degrees of detail; some are more fully realized than others, suggesting an exploration of different poses and perspectives during the creative process.
To the left, a partially obscured female figure stands in profile, her gaze directed towards the central action. Her pose is more grounded compared to the figures caught in the waters embrace, creating a visual contrast that emphasizes the dynamism of the main group. A smaller, framed image is visible behind this figure, hinting at a layered narrative or perhaps reflecting the artist’s own references and inspirations.
To the right, a portrait bust appears, rendered with greater precision than other elements in the drawing. This inclusion introduces an element of classical antiquity, potentially alluding to themes of beauty, loss, or the passage of time. The busts placement suggests it might be a symbolic presence observing the unfolding drama.
The artist’s use of line is particularly noteworthy. Rapid, gestural strokes define the forms and convey a sense of immediacy and emotional intensity. The lack of shading contributes to the drawing’s raw, unfinished quality, emphasizing its status as a study or preparatory sketch rather than a finished work. This approach allows for a focus on the underlying structure and movement of the figures, revealing the artists exploration of composition and form.
Subtly embedded within this scene are suggestions of vulnerability, temptation, and perhaps even abduction. The interaction between the male figure and the women implies a power dynamic that is both alluring and potentially dangerous. The presence of the classical bust introduces an element of timelessness, suggesting that the depicted events resonate with broader themes of human experience and mythology.