Portrait FA Bruni. 1827-1828 Karl Pavlovich Bryullov (1799-1852)

The drawing presents a bust portrait of a young man, executed in charcoal and white chalk on paper. The subject is positioned at a slight three-quarter angle, directing his gaze directly towards the viewer. His expression appears contemplative, perhaps even slightly melancholic; the mouth is closed, the brow furrowed subtly.
Here we see an emphasis on capturing likeness rather than elaborate detail. The artist prioritized conveying the individual’s character through subtle nuances of shading and line work. The hair, styled in a fashionable cut for the period, is rendered with quick, energetic strokes that suggest volume and texture. A loosely knotted scarf adorns his neck, adding a touch of formality to the composition while also softening the rigidness of the collar beneath.
The artist’s handling of light and shadow contributes significantly to the portraits overall mood. The face is illuminated from an unseen source, creating highlights on the forehead, nose, and chin. These areas contrast with the deeper shadows that define the hollows of the cheeks and under the eyes, enhancing the sense of depth and three-dimensionality.
The background is left largely unrendered, allowing the focus to remain entirely on the subject. The minimal treatment of the surrounding space contributes to a feeling of intimacy and immediacy, as if the viewer were encountering this individual in a private moment.
Subtly, theres an impression of restrained elegance. The simplicity of the composition, combined with the careful rendering of facial features, suggests a certain social standing and refinement. The direct gaze establishes a connection between the subject and the observer, inviting speculation about his personality and circumstances. It is likely that this drawing served as a study or preliminary sketch for a more finished work, demonstrating an artists skill in capturing character and likeness through economical means.