The head of Bacchus (a copy of the original). 1811 Karl Pavlovich Bryullov (1799-1852)

The drawing presents a close-up study of a male head, rendered in meticulous detail using graphite on paper. The subject appears to be a youthful figure, likely intended as a representation of classical beauty and perhaps divinity. His eyes are closed, suggesting a state of repose, intoxication, or possibly even ecstatic contemplation. A slight smile plays upon his lips, contributing to an overall impression of serenity and indulgence.
The artist has employed a technique that emphasizes the play of light and shadow across the figure’s features. Dense hatching creates areas of deep darkness, while lighter tones delineate the contours of the nose, cheekbones, and chin. This contrasts sharply with the voluminous curls of hair which cascade around his head, rendered with swirling lines that convey both texture and movement. The hair itself is a significant element; its abundance and disarray suggest a certain freedom from restraint, potentially hinting at a connection to revelry or unrestrained pleasure.
The composition is tightly focused on the face and upper torso, eliminating any background context. This intensifies the viewer’s attention on the subjects expression and physical attributes. The artist has clearly aimed for an idealized portrayal, drawing inspiration from classical sculpture – the smooth skin, balanced features, and overall aesthetic align with established notions of Greco-Roman beauty.
Subtly embedded within the composition are inscriptions in a script that appears to be Cyrillic. These notations, positioned near the lower left corner, suggest a provenance or perhaps annotations related to the work’s creation or subsequent history. Their presence adds another layer of complexity, hinting at a narrative beyond the immediate visual representation. The drawings overall effect is one of quiet contemplation and refined artistry, evoking associations with classical mythology and idealized beauty.