Karl Pavlovich Bryullov – lazzaroni and children. 1851-1852
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Two young boys are situated above him. One is perched atop the man’s legs, seemingly using him as a makeshift climbing structure. The other stands nearby, holding what appears to be a ball or small object in his hand. Both children possess dark skin tones and curly hair, contributing to their distinct appearance within the scene. Their postures convey a sense of playful energy and carefree abandon.
The artist has employed a muted palette, primarily utilizing earthy browns, tans, and whites. This limited color range contributes to a feeling of simplicity and perhaps even austerity. The rendering is loose and sketch-like, with visible brushstrokes and an absence of meticulous detail. This stylistic choice lends the drawing a sense of immediacy and spontaneity.
Subtextually, the work invites consideration of power dynamics and social relationships. The man’s passive position and the childrens use of him as a plaything could be interpreted as a commentary on hierarchies or dependencies within a familial or societal structure. The contrast in skin tones introduces an element of racial difference, prompting reflection on issues of identity, representation, and potentially colonial contexts. However, it is crucial to avoid definitive interpretations without further historical context; the scene might also simply depict a moment of everyday interaction between individuals from different backgrounds.
The overall impression is one of quiet observation – a snapshot of a fleeting moment in time, imbued with subtle complexities that encourage deeper contemplation.