Map of the Arabian peninsula Antique world maps HQ

The composition presents a geographical depiction centered on a substantial landmass extending into what appears to be a body of water. The terrain is rendered in a palette dominated by ochre and beige tones, suggesting arid landscapes punctuated by areas of green, possibly indicating oases or fertile regions. Blue delineates the coastline and bodies of water, creating a visual contrast with the warmer hues of the land.
Above the geographical representation sits an ornate cartouche framed by elaborate decorative elements. These include stylized floral motifs, heraldic-like symbols, and architectural flourishes rendered in red, blue, and gold. The cartouche itself contains text, though its legibility is limited without closer examination; it likely provides explanatory information or dedications related to the maps purpose.
The overall aesthetic suggests a deliberate attempt at both accuracy and embellishment. While the geographical features are intended to be recognizable, they are presented within a highly stylized framework. The use of color is not purely representational; instead, it contributes to an impression of grandeur and importance. The decorative elements surrounding the map’s central image elevate its status beyond a simple navigational tool, implying a desire for prestige or commemoration.
The placement of the landmass between ARABIA suggests a focus on that region, though the boundaries are not precisely defined according to modern geopolitical understanding. This indicates an interpretation of the area based on contemporary knowledge and perhaps influenced by cultural perceptions rather than purely scientific observation. The inclusion of “Mare India” at the bottom right corner further contextualizes the depicted territory within a broader geographical framework known to the creator.
Subtly, there is a sense of order imposed upon what would have been perceived as a vast and largely unknown region. The map serves not only to represent physical space but also to assert control through knowledge and visual representation.