Cornelis Mortier – North and South Pole, 1720 Antique world maps HQ

The composition presents a complex cartographic representation, blending geographical depiction with allegorical figures and decorative elements. A large, stylized map dominates the scene, displaying landmasses rendered in muted earth tones punctuated by areas of pink and yellow indicating seas or regions. The meticulous detail in labeling suggests an ambition to convey accurate knowledge, though the artistic license taken in representing coastlines and interior territories is evident.
Overlapping this primary map is a smaller circular projection centered on the poles. This secondary cartographic device employs a grid system radiating from each pole, offering a different perspective on global geography. The use of pink lines here contrasts with the broader palette of the main map, drawing attention to these polar regions and perhaps emphasizing their perceived mystery or inaccessibility.
The presence of allegorical figures introduces a layer of symbolic meaning. A female figure, likely representing Europe, is positioned near the intersection of meridians, holding what appears to be a staff or scepter. Her posture suggests authority and dominion over the surrounding territories. The placement of this figure reinforces the European perspective from which the map is constructed – a visual assertion of power and influence.
Further enriching the composition are sculpted figures emerging from the lower left corner. These appear as mythological beings, possibly personifications of sea or land, adding an element of fantasy and grandeur to the overall design. The integration of these sculptural elements with the cartographic details blurs the line between scientific representation and artistic embellishment, characteristic of the period’s approach to knowledge dissemination.
The text incorporated within the map – written in a script that appears to be French – further underscores its European origin and intended audience. The inclusion of place names and geographical features serves not only as informational content but also as a means of asserting ownership and control over these territories through linguistic representation. Overall, the work is a testament to the era’s fascination with exploration, cartography, and the projection of power onto the world stage.