Hartley, Marsden (American, 1877-1943) American artists

The composition presents a densely layered arrangement of geometric forms and symbolic elements against a stark black background. A dominant, rounded shape, reminiscent of a stylized moon or celestial body, occupies the central space. Its surface is rendered with radiating lines, suggesting movement or emanating energy, and features a numeral 8 positioned near its center. This numerical inclusion introduces an element of abstraction that disrupts any straightforward interpretation of the form as purely naturalistic.
Below this central sphere, a crescent shape in yellow frames it, further emphasizing its importance within the overall design. The lower portion of the painting is characterized by a complex interplay of rectangular and cross-shaped forms, delineated with bold outlines and saturated colors – red, green, blue, and yellow are particularly prominent. These shapes appear to be arranged like decorative panels or segments of an elaborate textile pattern. Within these geometric blocks, numerals 9, 4 are also incorporated, continuing the numerical motif established in the central sphere.
The artist’s application of paint is direct and unmodulated; theres a lack of subtle shading or blending, which contributes to the painting’s flat, almost graphic quality. The colors are applied with an intensity that creates a sense of visual vibrancy and dynamism.
Subtly, the work seems to explore themes of cyclical time and symbolic order. The numerals suggest a system of counting or measurement, perhaps hinting at a cosmic calendar or a personal code. The juxtaposition of organic forms (the moon-like sphere) with rigid geometric shapes creates a tension between natural processes and human attempts to impose structure upon them. The overall effect is one of enigmatic symbolism, inviting contemplation rather than offering easy answers. Its possible the artist intended to evoke a sense of ritual or ceremony, using visual language that transcends literal representation.