Part 2 Louvre – Friedrich, Caspar David -- Am Meeresstrand-Au bord de la mer. RF 2000-3
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a rough terrain stretches towards the waters edge. Several large rocks are scattered across the grassy area, their forms softened by the atmospheric perspective. A dilapidated wooden structure, likely a pier or landing platform, extends into the sea. Its weathered timbers suggest abandonment and decay. The skeletal remains of masts jut upwards from this structure, hinting at lost vessels or past maritime activity.
Several small sailing ships are visible on the waters surface, their silhouettes barely distinguishable against the muted tones of the sea. They appear distant and insignificant in relation to the immensity of the sky and ocean. Their presence introduces a subtle element of human endeavor, yet they seem dwarfed by the natural forces at play.
The painting evokes a feeling of solitude and contemplation. The absence of figures amplifies this sense of isolation, inviting viewers to project their own emotions onto the scene. The decaying structure and distant ships suggest themes of transience, loss, and the passage of time. The subdued color scheme reinforces these somber undertones, creating an atmosphere of quiet resignation.
The artist’s handling of light is particularly noteworthy; it does not offer a clear illumination but rather a diffused glow that softens edges and obscures details, contributing to the paintings overall mood of introspection and mystery. The composition directs attention towards the sky, suggesting a connection between the earthly realm and something beyond human comprehension.